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The titles of her paintings avoid locking down the reading of the self-portrait as one, by constructing various scenarios one painting is Adentro Hay Algo (Theres Something Inside), another is It Never Came , or, theres Siesta (Nap), in which Constanza closes her eyes, hit by a harsh light, forcing herself (perhaps) to sleep, or to remember something (The siesta time is a liminal moment in Argentina, and particularly in provinces such as Entre Ros, were Schaffner partly grew up

Its more so about examining the person everyone saw on the outside

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"Big Tobacco's Big Seduction: Women, Tobacco and the Glorification of Addiction, An interview with Mary Assunta"