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working in a Tokyo bento shop
a newly arrived young bride
Stimulating
"—Carole C
Nobody Can Love You More Malcolm Goodman working in a Tokyo bentoThe sex workers of Kotha No. 300 raise their children, cook for their lovers, visit temples, shrines and mosques, complain about pimps and brothel owners, listen to film songs, and solicit and entertain customers. By following the daily lives of the denizens of one kotha, Mayank Austen Soofi paints an intimate portrait of women for whom sex is worka way to make a living. With precise details and haunting photographs, Soofi delicately and carefully
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